Pretty in Pink


Yesterday, I was forced to deal with one of a writer's biggest problems: split ends. The hair--not the writing of a book with two possible endings. I made a same-day appointment at a little salon in Olympia for a haircut. The stylist I have been going to is perfect for me: quick, precise, friendly, enthusiastic, easy to talk with, but not too chatty.

We caught up on the holidays and then moved on to how business was at the salon. She was new in the area and was doing well rebuilding her list of regular clients. We hadn't yet talked about my line of work (so far all she knew about me was that I was a mother who needed the occasional haircut). I began telling her about the books I had written on various "nature" topics--endangered animals, ecosystems, snakes, and birds. When I got around to clouds (my current project), her face lit up.

"Oooh! I love the pink ones!"

I think there is definite market for my book.

So, for all of you lovers of pink clouds and sunset cloudspotters, here is the story. Pink clouds appear almost exclusively at sunrise and sunset when the sun is shining through the microscopic dust and mist particles near the earth's surface. These particles scatter the shorter blue- and violet-looking wavelengths and make them difficult, if not impossible, for our eyes to see. The longer red- and orange-looking wavelengths are not scattered and therefore can travel from the sun to our eyes unimpeded by the particles in the atmosphere. The clouds reflect these warrior red wavelengths and create the beautiful pink clouds that may begin or end the day.

Eric Sloane: Weatherman

I've spent the day with the books by Eric Sloane (1905-1985), American illustrator, author, painter, pilot, and weatherman. What a joy. His clean, simple, and often light-hearted illustrations of basic and complex meteorological phenomena are making my job as a cloudspotter much easier and more enjoyable.

From Day One, I've struggled with the concept of high and low pressure as it relates to the movement of air and formation of clouds. Does "low" refer to altitude or intensity? Does high refer to altitude or intensity? Low can mean "light" and high can mean "heavy." The difference between low and high might be obvious to everyone else on the planet, but I also struggle with the use of the color blue to indicate cold and red to indicate hot. Shouldn't white (like ice) mean cold and orange (like fire) mean hot?

I think one of Eric Sloane's six wives must have had a brain like mine. His illustrations, such as the one above, is more comprehensible than a thousand words on the topic in any of my weather books. I was introduced to Sloane by a student in a watercolor class at the Olympia Center. His 1950 book Skies and the Artist: How to Draw Clouds and Sunsets was republished by Dover in 2006. Artist or no, this is a great book for understanding how to see the clouds in 3-D and, according to Sloane, how to "paint the heavens and clouds intelligently." Understanding cloud anatomy, he believes, is the key to painting realistic clouds.

Sloane wrote some fifty books in his lifetime, including Look at the Sky...and Tell the Weather, Eric Sloane's Weather Book, and Eric Sloane's Weather Almanac from which this illustration was taken. When I go cloudspotting around town, I try to superimpose this image over the landscape and cloudscape so I can "see" the pressure. Of course, high- and low-pressure areas are usually too massive to see from one point on the ground, but it is possible from certain vantage points to see the high cirrus clouds of a high pressure area and the low statocumulus clouds of a low pressure area at once.

More on Eric Sloane in future writings. Meanwhile, say high to your barometer for me.

High Tide, Low Clouds at Nisqually



On my way to lunch with an old friend in Tacoma on Thursday, I planned to stop in at the Tacoma Public Library to see the SkyCeiling installation there. The Tacoma Public Library has several branches, so I called the main library to find out which branch featured a SkyCeiling.

The woman I spoke with in the administration office had never heard of the SkyCeiling. I described it as a skylight that really wasn’t a skylight, but a deluxe illusion of one created from photographs of the sky and clouds. The high-resolution photographs were mounted on square clear tiles and installed and backlit in the ceiling. Nope. She had never heard of it. She put me on hold to check with someone else in her office. Oh, there might have been something like that in the Teen Reading Room of the Main Library, but it’s not there any longer. Where is it? They must have removed it. Really? Well, it’s not there. Where is it? I guess it’s in storage.

I was pretty sure she did not know what she was talking about, so I decided to head to the main library to see for myself. I grabbed my notebook and my camera and headed out.

As I was driving, I wondered if possibly, the SkyCeiling was too expensive to maintain, perhaps the special light bulbs that made it look realistic were prohibitively expensive and were not replaced. Or maybe one of the clouds had been decorated with graffiti. Or maybe someone punched out a patch of blue sky—revealing a light bulb, its non-celestial housing and wiring. So, maybe it was uninstalled. Or maybe the administrator I talked with thought it was a real sky light and refused to admit right then and there that she had been duped this whole time.

SkyCeiling or not, I could still spend a few hours at the library before lunch.

So I am heading north on I-5, the snowy and majestic hulk of Mount Rainier appears to my right, a low-lying fog obscuring her foothills like a skirt of cotton batting around a Christmas tree. To my left, the newly restored wetlands of the Nisqually Delta—a wild and soggy landscape created by water shed from Mt. Rainier. Nearly every flake of snow on that fourteen-thousand-foot-high mountain on my right will make its way down to the sea-level delta to my right by August. And then back up it will go—from the delta, the sound, the ocean—thanks to my friends the clouds. The clouds. The Nisqually National Wildlife Refuge is a great cloud-viewing spot. Today, there is blue sky and clouds, low rows of altocumulus clouds that seem to be thickening toward the west. Nothing spectacular. I glance back down at the wetland and remember that the highest tides of the year were occurring this week. The fresh-water marshes of the 700-acre refuge hadn’t tasted salt water from the Sound since Farmer Brown built earthen dikes to keep it out a hundred years ago. The dikes were breeched this fall and the tidal rhythms of the wetlands are pulsing and surging again.


But I was on my way to Tacoma, to see an illusory skylight, or what might be the site of a former illusory skylight. But the highest tides of the year were happening; the refuge would be transformed by 16+ feet of water. I am writing a book about clouds, not wetlands. The prospect of seeing the sky and clouds in a storage closet in a library was bizarrely funny, even ironic. The weather report said today would be the only non-rainy day for the next ten days. The prospect of seeing the sky and clouds in a wild landscape at high tide was neither bizarre, nor funny, nor ironic; it was merely scenic. But I needed to be outside in the scenery. I could visit the refuge now and the library next week. How many cloud pictures do I really need? I passed the exit to the refuge before the answer came: more. I needed more cloud pictures. And why do I need more cloud pictures? I couldn’t answer that one, but I took the next exit, made a U-turn, and made my way back to the refuge.

It was cold. I was dressed for lunch at a restaurant, not a walk around a wetland. I walked fast, carrying my digital “Elf” camera in my hand, waiting to get to the far end of the refuge to the big-sky view. Along the way I passed men and women strolling in groups of two or three, toting tripods and cameras with lenses like bazooka guns. They were birders. They were aiming their enormous lenses at distant bald eagles perched in bare trees and at various speck-like birds chirping from the underbrush. There I was aiming my hand-sized “Elf” camera at the sky, at bands of clouds that stretched from horizon to horizon. I zoomed out, the birders zoomed in. I captured fragments of a 700-acre sky. They captured eyes of bald eagle, wings of winter wrens.

An hour of walking and looking and breathing in the January sky, I had a few dozen photographs of clouds at high tide. One rainy day next week, I’ll make it to the storage room of the library to see the dismantled illusion of a blue sky.

Hic et Nunc


This is my pencil cup from Stone Ridge, a Sacred Heart all-girls school I attended from 5th to 7th grade and then again from 9th to 10th grade. The school motto, hic et nunc, means "here and now." I have had this pencil cup for thirty-five years but have yet examine why a Catholic school would stress here and now, instead of there and then. There and then seems to me a more apt motto if you are thinking about there (heaven) and then (the eternity after the now). Not until I began studying clouds--so ephemeral, so transient, so very not here or now--did I start thinking about the motto on my pencil cup or wondering about the three symbols in the shield. I think I can figure out the candle and the hearts, but the hooka in the upper right section is a bit troubling.

I think of myself as a here and now kind of person, which, in terms of spirituality, means I don't hold much stock in heaven of the afterlife. These ideas keep me from focussing on and rejoicing in the heaven at hand, the life that is now. Heaven may be an incentive, but I think it serves as a disincentive for efforts here on Earth. We can behave badly here, be forgiven, and enjoy a better place afterward. A place in the clouds.

Clouds are the antithesis of hic et nunc. They are here, there, and everywhere...now and then. And sometimes they are not. A single cell of a cumulus cloud--is said to last five minutes. That's not much nunc. And, after a year of looking at and studying clouds, I am not sure I could say where exactly they are. In terms of hic, they are elusive. When you spend much time in the company of clouds, you start feeling more grounded, rooted, solid, even slothful. You have to stand still or sit still in order to fully appreciate how dynamic clouds are. You have to be very hic et nunc. Eventually--and I am not quite there yet--you get a glimpse of the stillness in the roiling, sweeping, restlessness of clouds.